Seven Poems

Hunting the Cotaco Creek






His hand in hold so trigger tight its blood

believes in ghosts.  It clings with finger set

on steel and waits inside a dream of ducks.

The twilight burns into a rising arc

of eastern sky as sun reveals herself

too proud and instantly receives full-face

a splash of mallard flock.  A shotgun blasts

the yellow into streaming pinks and gives

the creek its new-day taste of echoed blood.

Two green head ghosts fly through the pulse of dawn

upon a trigger’s touch.  The creek empties

of sound.  In silence human fingers find

wet feet of web and carry in each hand

a bird whose only cry comes in color.

 

 





 

The Bass Fisherman

 

 

He was the silent type, the mute scholar

reading the sky instead of his books,

wasting no words above the still waters,

searching instead for shades of detail,

for the sharp, deep shadows of silver,

for the subtle moves that only seers see.

 

He was the careful type, the peaceful brave

wrapping his weapon with string, down

and prayer, warming his sight with colors

of sunset, waiting for sunrise to show him

the way, watching the depth of each cloud

that floated on the lake of his eyes.

 

He was the simple type, the timeless boy

flipping and testing his first flying rod,

urging it on past limits of hand and arm

to the other side of vision and dreams,

using all of that first moment to cast

the perfect balance of boy and boat.

 

He was the cautious type, the prize bass

with the broken hook still in his mouth,

staring up at the lake’s final surface of man,

following the drag of the feather’s taunt,

waiting, waiting, learning at last

the only reward of patience, is patience.

 

 




 


 

The Alabama Wiregrassers

 

 

Dry-rooted in penny coated clay,

the wiregrassers come

suntan tamed in drawl

through the mire faster.

Machetes high-aimed for home,

they carry the clues of day

across their open, flying clothes.

Blade for blade,

steel for grass,

they flog the wire

with a hungry denim run.

Black shin hair stares

boar-bristled red out

from rips of hinged-tight jeans.

Tobacco spittin’ voices

seep coarse through gapped teeth

like hot wax from upside-down brown candles.

An evening shadow sinks itself

in the open field,

closing it for night.

The copper cold dust

from spun home trucks

relaxes into dew

and paints itself across the wiregrass

that sleeps in rust

beneath a hush of moon.

 

 

 

 


 


 

The Bowman’s Hand

 




 “A fifteen-year-old athlete died of cardiac arrest

from a high school friend’s punch in the chest

during a classroom ‘cuss game’ popular with students.

Witnesses said he complimented his opponent

on the ‘good hit,’ then died.”


                    —The Birmingham News




 

 

The game over, the target rests on the ground;

but the heavy hand of the standing boy

will carry the weight of this dark moment

 

into the bull’s-eye of memory, into the

corners of every swollen night.

This is the hand that will open and close

 

too many times before it sleeps,

before it catches that first star,

shines it bright within its praying palm,

 

puts it back into the black heaven of boyhood.

This is the hand that will shade the eyes

that study the sky for a cloudless past,

 

the hand that will grip and hold

the burning weight of growing old.

This is the hand that will not rest in peace,

 

that will not heal the broken arrow,

that will not lose its quiver;

the hand that will shake inside

 

the hand of too many smiling strangers.

This is the hand that will caress a sleeping son

named after his father’s brave young friend,

 

after the one untouched by time,

untouched by the sharpness of age,

by the point of a pointless game.

 

 

 

 


                   

 


When Howard Became Jesus

 

 

No one in the huddle laughed

when Howard said he was Jesus,

that if we did not believe him

we were all sinners doomed to hell.

The next play was a hand-off to Howard. 

Everyone, even our team, piled on,

grabbing for Howard, for the ball,

for the chance to cling to something solid. 

When our boyhood heap had finally become still,

a pointed shadow drew our eyes way down the field

and there against the goal post leaned Howard,

the warm ball in his arms like a baby,

his eyes round and deep like the barrels of a gun. 

Walking home, everyone was silent but Howard. 

He said he had wanted to tell us about it before,

but was not sure we were ready to listen,

not sure we were ready to believe. 

He said for the last year and a half

as he lay each night on his back,

his arms stretched out in a cross,

his feet so neatly together,

he was sure he had been chosen to lead us

in the path of righteousness for his namesake. 

He said it was not luck that he had aced every test,

that the bookcase and birdhouse he built in shop class

won ribbons at the county fair. 

He said that was just his way of being Jesus,

that we must learn to trust his perfect ways

and regard his saintly airs with adulation. 

But we walked on in silence, each new step

so tight and full of fear we could not breathe,

could not break away and run on home alone. 

At his house we stopped and watched him enter,

his eyes releasing us at last behind the door. 

That night beside our beds we fell to prayer

and prayed that all that afternoon was just a dream,

that we would wake up in the morning and find Howard

in the huddle telling lies just like before.

 

 

 




 


The Tryout

 

 

The All-State boy from Alabama

faked, leaped, drifted, and shot

for the New England coach

and his dollar cigar.

A scholarship, apartment, new car,

and a name rode on his mid-air act.

But the ball and the boy were buddies,

and again his try was good.

Without missing a beat,

he took the one-bounce rebound,

spun into a lay-up, grabbed it

coming through the strings,

raced low to the opposite court,

faked, leaped, drifted, and shot.

Again the strings played his song.

 

On a silent count of three,

the one-man audience

pulled the unpuffed cigar from his mouth,

his silver-dollar eyes

already on the championship.

“Where’d ja learn that stuff?”

The All-State boy from Alabama

spun, dipped, jumped, and said,

“High school.”

Through the boy’s thick drawl

and the gym’s hollow acoustics,

the coach misheard it as “I’ze cool.”

Pale, he called the boy, “boy,”

preceded it with “hey,”

and followed it up with

“That’s all.”

 

 

 




 

Divers

 




We were different when we returned to earth.

Too alone in our fall to forget,

we lost all trust in the touch of gentle hands.

The dropped baby in us grew.

 

We listened too long to a thinner wind,

climbed too close to a hollow sun,

stood one by one in the cockpit’s open door,

left our mothered souls in the fading steel

of a Cessna’s shaking belly,

stepped into a handless world,

stretched the corners of our eyes until they spit,

watched an anvil earth fly up at us,

took our own umbilical cord in hand and ripped,

and fell like frightened spiders

who spin our frantic silk that clings to only air.

 

Our jarred bodies lay on a sudden fist of clay,

unwound themselves with web and line

and carried the dead fish in our feet

away to dreams of distant seas.

 


Charles Ghigna (Father Goose) is a poet, children's author, and nationally syndicated feature writer who helps promote the love of children's literature by speaking at schools, colleges, conferences, and libraries. Charles is the author of more than thirty books of poetry for children and adults. His award-winning books and poems have been featured on ABC's "Good Morning America," selected by the Book-of-the-Month Club, featured in the Scholastic Book Club, received the Parents' Choice Book Award, SEBA Book Award, the Chickadee Books Award, the Helen Keller Literary Award, and the Alabama Library Association Book Award. Charles has served as poetry editor of The English Journal for the National Council of Teachers of English and has presented his poetry programs at the Library of Congress, The John F. Kennedy Center for the Performing Arts, the American Library in Paris and at hundreds of schools, colleges, conferences, libraries, and book fairs throughout the U.S. and overseas. His poems for adults have appeared in numerous magazines including The New Yorker, Harper's, Rolling Stone, The Wall Street Journal, The New York Times, Southern Poetry Review, and Mississippi Review. His poems for children appear in Highlights for Children, Cricket, Humpty Dumpty, Ranger Rick, Children's Digest, Children's Playmate, and in The 20th Century Children's Poetry Treasury (Knopf), as well as in many other textbooks, magazines, newspapers and anthologies. For more information, please visit the Father Goose website at www.FatherGoose.com.


about & alabama writers & complain & contact & map & submit
legal